Thursday, July 17, 2008

Our Old City, the Holy Land


Late Friday night, July 11, shocking news broke the silence of the Old City of Jerusalem. Two Israeli police officers were shot and seriously injured near Lions Gate. All the gates were blocked for the next few hours and people outside the wall were thrown into a frenzy, not knowing what had happened inside. The incident was completely out of the ordinary because even if the world outside of the wall is in chaos, the Old City has always kept its serene atmosphere and has always provided a meditative and somewhat relaxing escape for visitors.

Whenever I walk the path on which I have left my footprints so many times, I immediately relax because my memories of the Old City always fit the scene before me: beige square rocks, long narrow paths, men playing cards or backgammon as they smoke water pipes, big red and blue-hued materials and colorful dresses and Bedouin crafts and jewelry. It is nothing has changed in hundreds of years and that is what makes the Old City so spiritual and comforting. This unique history since the 16th century can be credited to the different people who have lived here for generations.

An Armenian photograph shop owner Mr. Kevork on Al-Khanka Street in the Christian Quarter moved his shop to where it is now in 1948 when the Arab-Israeli War started. He has a wide collection of portraits and views of Palestine which were taken by his father and other photographers. His father started the business as a studio for portraits in 1913 on Jaffa Street which is now in west Jerusalem and he used to help his father as a young boy. In 1987, when he was cleaning the attic, he found 300 to 400 films of photographs that his father had taken as a hobby. After dating and categorizing them in 1990, Mr. Kevork and his father opened the first photo exhibition at the American Colony Hotel. The exhibition was widely received by visitors, and ever since, they have sold these photographs in their Old City studio. “All the photos in my store which were taken from 1924 and up are my father’s work, and others are photos of old times which could go back as far as the 1850s.” he told me proudly. He said that his photos are most appreciated by the foreigners who work in Jerusalem and elsewhere in the country.

An Assyrian merchant, Elie has three stores that sell Hebron ceramics, stamps and coins. Even though it is rare to see products priced in the Old City nowadays, he insists on putting prices on every piece. “I tell my customers to return the next day if they ask for a product with no price on it so I can find out the actual price.” He emphasizes that clearly priced products is the most important factor in selling to tourists. His prices are very reasonable and start from NIS 5 and up. He says his main goal is to sell these signature products of Palestine to as many people as possible.

His family, who were potters and originally came from Turkey around 1700, took their business globally. They first started by selling pots and handmade silk and distributing them in Aleppo, Damascus, Lebanon, and (west) Jerusalem with the main branch in Amman established in 1936. In 1955, they changed their products, mainly selling men’s shoes from England and Italy in those locations. Their business was successful, but in 1948, they had to shift the (west) Jerusalem branch to the current location because of the Israeli-Arab War. Finally, they had to close all their shops except the current three shops in the Old City in 1973 because the borders to neighboring countries became less accessible. When I asked Eli why he chose this store to focus on rather than the one in Amman since their main branch was already there, he said, “Because I was born in the Old City and love this place, I couldn’t imagine living anywhere else.” He took over the business from his father in 1964 but says the Old City has always been the same, with the different ethnic groups coexisting and much less political violence than in other areas of Palestine. However, since the dependency on tourism is so high among the merchants in the Old City, the unstable political condition has affected all business owners here. During the years of the Intifada, there were many Israeli-imposed curfews which dictated that they open their stores for only a few hours a day. During those hours, the foreigners who worked for the United Nations, NGOs, or embassies were the only customers, making it very difficult to sustain their businesses.

It seems that surviving outside the wall of the Old City is even harder. A Palestinian jewelry designer shop owner, Samir has been in the business for over 45 years in the Old City. In the first 25 years, he had a store in the same neighborhood as today near the New Gate, but his business later expanded to include souvenirs and jewelry and he moved to a bigger location in the Jerusalem Central Bus Station in west Jerusalem. His business was successful until 2000, but when the Intifada broke out and tourism declined, he couldn’t afford to keep the store open. He re-opened a store in the Old City and returned to exclusively selling jewelry. Samir feels much more comfortable being in the Old City where he was born and grew up in. He believes that the comfort comes from the familiarity of the environment and people surrounding him. “Everyone helps each other here,” he said as he bent a wire for an earring. “We all grew up together here and have known each other all our lives. There are strong connections between us.”

Perhaps this “connection” and the people’s closeness is what make the Old City so alive. It perhaps is rooted in people’s will to survive and sustain since 1541 when the walls of the city were first built. The spirituality of this holy place is felt, not only by religious followers but all those who enjoy and appreciate history and deep-rooted cultures. The different peoples of the Holy Land are what give this place such a unique and spiritual color.

Wednesday, April 30, 2008

Discussion

I find it meaningless having discussion or debate among homogenius people. Especially when you talk about issues or insults that happen among certain type of ethnicity , culture, or religion, we need to make sure those people who are perceived to be from the issue maker side or insulting group. Otherwise the discussion is nothing more than licking each other's wounds (Japanese proverb).

Wednesday, April 2, 2008

Where are you from? (in a sense of where do you belong to?)


I am wondering... I am wondering so much about what is so important to talk about or to be so conscious about where you are from.

I am from Jerusalem, Palestine and from Sapporo, Japan. But does that mean I know so much about those two, or does that mean I am the same as people from Jerusalem and from Sapporo? what does that mean to say I am from here or there. I am Palestinian in what sense? I am Japanese in what sense? Am I different from an Israeli from Jerusalem? Could I have same ideology as Israeli from Jerusalem does? Palestinians are so different from Palestinians?

I have a frined who is an Israeli from Jerusalem. We talked about the protest that I had gone about two weeks ago (protest against fundraising for Israeli Occupation Force). I asked him if he would be offended to know that I join that kind of protest against the cause. He said "You do your job and I do my job". It's reasonable, but I felt very sad.

I have a frind who is an Israeli-Japanese (her father is Iraqi Jew and the mother is Japanese) and was born and raised in Jerusalem. We talked about the Palestinian-Israeli conflict. We found that we have very similar pacifistic idea. By talking to her, I had to wonder why is coexisting so difficult...

I have a Palestinian friend who does not accept the existence of Israel. There are Israelis who don't accept that Palestine ever existed. I have a Palestinian friend who wants to say he is an Israeli and not Palestinian. I know some Palestinians and Israelis who don't even care about the cause.

We, Palestinians and Israelis, share a lot of culture already. What is so important about finding out hummus is whether Israeli cuisine or Arabic cuisine? Some people complaint about Greeks claiming baklavah to be Greek while it is Turkish to them. Some other people claim that belly dance and hookah are Egyptian while others say they are from Turky.

Saying where you are from is just for an estimate for the other person to imagine what kind of life you have had or what kind of bahavior and attitude you would have. People have all kinds of stereotypes for all kinds of people. I don't deny the fact that many Palestinians often say 'what's his name?" even when he knows what's his name, or the fact that Japanese people vow to aplogyze and to thank in the same way. But there are many exceptions, and you probably see the people who don't follow those stereotypes nowadays than before. Because in our generation, people travel everywhere, immigrate to one another and get married to different cultures. Then what is the point of expressing where you are from or asking where he/she is originated from?

People may say, "you are just in the stage of identity crisis." Is that only so? Is that a part of human nature that we all want the sense of belonging? "I belong to here and belong to there, and so I am comfortable." Am I questioning myself because I don't have that sense of belonging?

I wonder where is the importance of that sense of belonging coming from. All I know is that if anyone ask me tomorrow where I am from, I will still say " I am from Japan and Palestine" wondering what is the point...

Thursday, March 20, 2008

The Band's Visit

Today, I went to watch a movie with my lovely friends, Elif and Timucin, called 'The Band's Visit'
by Eran Kolirin. www.thebandsvisit.com
It is about one Egyptian police orchestra band who got lost in Israel after they were invited to perform in one town in Israel called "Petah Tikvah", and the story of a night that they spent in a village called ''Bait hatikva". (Because most Arabs don't know how to pronounce 'P', they ended up arriving in this village by asking bus information center how to get 'P(B)etah Tikvah'.)
Though the movie was filled with humor, the story had a beautiful stream and harmony of two cultures, human nature and art creations.
I highly recommend this movie.

p.s. I just cut my hair, and the actress of the movie (Ronit Elkavetz) made me regret that I had one.... She ( and her hair) was awesome in the movie.

Big Citiy Lights (Here I Come)


Performed by Shingo2
Produced by Yakkle
Remixed by Tokimonsta
Scratches by DnZ
Photograph by me
www.e22.com/bcl/dl.htm

Blogging ? Me?

So, after some talks with a few of my friends who have been blogging and had found the significance in blogging, I have finally decided to let myself join the virtual world.

Please send me any kind of tips, suggestions and etc.... to improve my account.